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Blog love

It’s probably obvious from the links in the right hand column, but last month I set up an Etsy shop for my smaller light works.

etsy_storefront

Etsy’s a site dedicated to all things crafty and handmade.   On first glance, my electronic works seem out of place amongst all the beads, jewelery, knitting, and paintings.  However, since my light boxes are laboriously constructed one-at-a-time I figured I’d fit right in with the handmade ethos; and, seeing selling an under-represented craft as an advantage, I figured I have little to lose . . . aside from some time and $0.20 per listing.

Initial impressions after the break.

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Electric Window 4.xx

In addition to the advancements made to the Electric Window 3.xx series back in December, I also started a new light box series, Electric Window 4.xx:

This series revolves around a matrix of 16 LEDs with individually controlled brightness and fading, making it an organic/analog sibling to the 3.xx series which uses LED screens with a large group of on/off, or binary/digital behaving pixels.

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Light cube prototype

Continuing to turn inspiration into reality, Deb and I unpacked our new table saw, installed the acrylic-capable blade, and got to work cutting and gluing.  The result is a prototype for a new series of light boxes/cubes:

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Electric Window 3.03

With the inspiration of using acrylic as an artistic/structural medium mixed with the notion of baring it all in terms of circuit board exposure, as outlined in this previous post, I set about to realize the next entry in the Electric Window 3.xx series with a new perspective:

[ Build details and more photos after the break . . . ]

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It’s all about content . . ?

Gallery hopping in Toronto late last year, I discovered a handful of really inspiring artists.

Gallery Lausberg specializes in abstract German sculpture.  Of particular interest to me were the works of Regine Schumann and Klaus Staudt.

Schumann’s work revolves around sculptural acrylic forms illuminated by black light:

regine_schumann_01

regine_schumann_02

Staudt’s work explores form and perspective through a variety of pieces built from patterns of 3D objects suspended in space (through the use of coloured and transparent acrylic):

klaus_staudt_01

klaus_staudt_02

[ deep stuff after the break ]

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Electric Window 3.01

December ‘09 was a busy month!   I made a lot of progress on my “Electric Window” light series, both developing it as a platform and getting a handful out there into peoples’ collections.

A big move was finalizing the framework for the 3.xx series, by reducing the “Electric Window (iii)” design from two screens to one:

In an effort to standardize “editions” of my lighting fixtures, the “Electric Window 3.xx” series is based around one or more 24 x 16 pixel displays, in a small enclosure of some sort.  While the hardware design will remain fairly constant, the software and enclosures will vary.  The pattern shown above is an autonomous drawing program, like an electronic Etch-a-Sketch on auto-pilot.

[ build details after the break ]

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Interactive Audio/Visual Installation

Just finished a proof-of-concept video for an interactive audio/visual installation, where the audience become the performers in a room-sized drum machine with blinking lights and sychronized video:

The audio is straight from a drum machine, triggering the video in real time which is done in Processing; this initial draft shows that this is just the tip of the iceberg for what’s possible . . .

Spacing Ottawa launch party

Last week Deb and I performed a dj/vj set (as The Latest Artists) at the Spacing Ottawa launch party at Cube Gallery .

Dawghaus Studios put a video together of the event featuring some of our music, video, and performance — along with Spacing-related content, too, of course ;)

CLR Podcast

Came across this nice interview w/ Chris Liebing enthusing about digital dj’ing technology:

Although I didn’t learn anything new technology-wise, I was very pleased to learn about his great series of techno podcasts.

[ Via Dubspot's blog. ]

Kraftwerk sitcom

For whatever reason, I find the following combination of Kraftwerk’s seriousness mixed with a laugh track and a chiché plot hilarious: